Estonian premiere
Walls Can Talk
Acclaimed director Carlos Saura portrays the evolution and relationship of art with the wall as a creative canvas, travelling from the first graphic revolutions of the prehistoric caves to the most avant-garde urban expressions.
A thrilling and personal journey in the company of figures including Miquel Barceló (the first contemporary artist still alive to expose his work at the Louvre) or Suso 33 (a reference within the Graffiti and Muralism worlds) among many.
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Carlos Saura (snd 1932) oli elukutseline fotograaf, enne kui hakkas 1950. aastate keskel filme tegema. Saurat peetakse viimase nelja aastakümne juhtivaks Hispaania režissööriks, kelle esimene lühifilm "La tarde del domingo" valmis juba 1957 ning kelle filmid nagu "La caza" (1966), "La prima Angélica" (1974), "Mama cumple 100 años" (1979) jpt on võitnud kõrgeid auhindu rahvusvahelistel festivalidel. 2022. aasta 4. jaanuaril tähistab režissöör oma 90. sünnipäeva. Carlos Saura on tänavune PÖFFi elutööpreemia laureaat.
Valik: Llanto por un bandido (Weeping for a Bandit, 1964), Le Jardin de las delicias (The Garden of Delights, 1970), Ana y los lobos (Anna and the Wolves, 1973), Dulces horas (Sweet Hours, 1982), Antonieta (1982), Carmen (1983), Ay, Carmela! (1990), Sevillanas (1992), Tango (1998), Goya (Goya in Bordeaux, 1999), Bunuel y la mess del rey Salomon (Bunuel ja kuningas Saalomoni laud, PÖFF 2001), Salomé (2002), Fados (2007, PÖFF 2008), Io, Don Giovanni (Mina, Don Giovanni, PÖFF 2009), Flamenco Flamenco (2010), Jota de Saura (2016), El rey de todo el mundo (The King of All the World 2021)